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my name is red-我的名字叫红-第31部分

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his head between my breasts。 I saw that he was sighing; and crying too。 Pulling 
him close to me; I held him。 
“Don’t cry; Mother;” he said later。 “Father will return from the war。” 
“How do you know?” 
He didn’t answer。 I loved him so; and pressed him to my bosom so that I 
forgot  my  own  worries  entirely。  Before  I  cuddle  up  with  my  fine…boned; 
delicate  Orhan  and  fall  asleep;  let  me  confess  my  only  pressing  concern:  I 
regret  having  just  now  told  you;  out  of  spite;  about  the  matter  between  my 
father  and  Hayriye。  No;  I  wasn’t  lying;  but  I’m  still  so  embarrassed  that  it 
would be best if you forgot about it。 Pretend I never mentioned anything; as if 
my father and Hayriye weren’t thus involved; please? 
 
 
   
101 
 
I AM YOUR BELOVED UNCLE 
 
Alas; it’s difficult having a daughter; difficult。 As she wept in the next room; I 
could hear her sobs; but I could do nothing but look at the pages of the book I 
held in my hands。 On a page of the volume I was trying to read; the Book of the 
Apocalypse;  it  was  written  that  three  days  after  death;  one’s  soul;  receiving 
permission from Allah; visited the body it formerly inhabited。 Upon beholding 
the piteous state of its body; bloodied; deposing and oozing; as it rested in 
the grave; the soul would sorrowfully; tearfully and mournfully grieve; “Lo; my 
miserable  mortal  coil;  my  dear  wretched  old  body。”  At  once;  I  thought  of 
Elegant Effendi’s bitter end at the bottom of the well; and how upset his soul 
naturally must have been upon visiting; and finding his body not at his grave; 
but in the well。 
When Shekure’s sobs died down; I put aside the book on death。 I donned 
an  extra  woolen  undershirt;  wound  my  thick  wool  sash  tightly  around  my 
waist so as to warm my midriff; pulled on my shalwar pants lined with rabbit 
fur and; as I was leaving the house; turned to discover Shevket in the doorway。 
“Where are you going; Grandfather?” 
“You get back inside。 To the funeral。” 
I passed through snow…covered streets; between poor rotting houses leaning 
this  way  and  that  way;  barely  able  to  stand;  and  through  fire…ravaged 
neighborhoods。 I walked for a long time; taking the cautious steps of an aging 
man  trying  not  to  slip  and  fall  on  the  ice。  I  passed  through  out…of…the…way 
neighborhoods  and  gardens  and  fields。  I  walked  by  shops  that  dealt  in 
carriages  and  wheels  and  passed  iron  smiths;  saddlers;  harness  makers  and 
farriers on my way toward the walls of the city。 
I’m not sure why they decided to start the funeral procession all the way at 
the Mihrimah Mosque near the city’s Edirne Gate。 At the mosque; I embraced 
the  big…headed  and  bewildered  brothers  of  the  deceased;  who  looked  angry 
and  obstinate。  We  miniaturists  and  calligraphers  embraced  each  other  and 
wept。 As I was performing my prayers within a leaden fog that had suddenly 
descended and swallowed everything; my gaze fell on the coffin resting atop 
the mosque’s stone funeral block; and I felt such anger toward the miscreant 
who’d  mitted  this  crime;  believe  me;  even  the  Allahümme  Barik  prayer 
became muddled in my mind。 
After the prayers; while the congregation shouldered the coffin; I was still 
among all the miniaturists and calligraphers。 Stork and I had forgotten that on 
102 
 
some nights; when we sat in the dim light of oil lamps working until morning 
on my book; he’d tried to convince me of the inferiority of Elegant Effendi’s 
gilding  work  and  of  the  lack  of  balance  in  his  use  of  colors—he  colored 
everything  navy  blue  so  it  would  look  richer!  We’d  both  forgotten  that  I’d 
actually  given  him  credence;  by  allowing  “But  no  one  else  is  qualified  to  do 
this  work;”  and  we  embraced  each  other  anyway;  sobbing  once  more。  Later; 
Olive gave me a friendly and respectful look before hugging me—a man who 
knows how to embrace is a good man—and these gestures so pleased me that 
I  was  reminded  how  of  all  the  workshop  artists;  he  was  the  one  who  most 
believed in my book。 
On the stairs of the courtyard gate I found myself beside Head Illuminator 
Master  Osman。  We  were  both  at  a  loss  for  words;  a  strange  and  tense 
moment。 One of the deceased’s brothers began to cry and sob; and someone 
pompously shouted; “God is great。” 
“To  which  cemetery?”  Master  Osman  asked  me  for  the  sake  of  asking 
something。 
To respond “I don’t know” seemed hostile for some reason。 Flustered; and 
without thinking; I asked the same question of the man standing next to me 
on the stairs; “To which cemetery? The one by the Edirne Gate?” 
“Eyüp;” said an ill…tempered; bearded and young dolt。 
“Eyüp;” I said turning to the master; but he’d heard what the ill…tempered 
dolt had said anyway。 Then; he looked at me as if to say; “I understand” in a 
way that let me know he didn’t want our encounter to last a moment longer 
than it already had。 
Without  mentioning  my  influence  on  Our  Sultan’s  growing  interest  in 
Frankish  styles  of  painting;  Master  Osman  was  of  course  annoyed  that  Our 
Sultan  had  ordered  me  to  oversee  the  writing  out;  embellishment  and 
illustration of the illuminated manuscript; which I’ve described as “secret。” On 
one occasion; the Sultan forced the great Master Osman to copy a portrait of 
His Highness; which had been missioned from a Veian。 I know Master 
Osman holds me responsible for having to imitate that painter; for having to 
make  that  strange  painting;  which  he  did  with  disgust;  referring  to  the 
experience as “torture。” His wrath was justified。 
Standing  in  the  middle  of  the  staircase  for  a  while;  I  looked  at  the  sky。 
When I was convinced that I’d been left quite behind; I continued down the 
icy stairs。 I’d barely descended—ever so slowly—two steps when a man took 
me by the arm and embraced me: Black。 
103 
 
“The air is freezing;” he said。 “You must be cold。” 
I  hadn’t  the  slightest  doubt  that  this  was  the  one  who’d  muddled 
Shekure’s  mind。  The  self…confidence  with  which  he  took  my  arm  was  proof 
enough。 There was something in his demeanor that announced; “I’ve worked 
for twelve years and have truly grown up。” When we came to the bottom of 
the stairs; I told him that I’d expect an account later of what he’d learned at 
the workshop。 
“You  go  ahead;  my  child;”  I  said。  “Go  ahead  and  catch  up  to  the 
congregation。” 
He was taken aback; but didn’t let on。 The way he let go of my arm with 
reservation and walked ahead of me pleased me; even。 If I gave Shekure to him; 
would he agree to live in the same house with us? 
We’d left the city through the Edirne Gate。 I saw the coffin on the verge of 
disappearing  into  the  fog  along  with  the  crowd  of  illustrators;  calligraphers 
and apprentices shouldering it as they quickly descended the hill toward the 
Golden  Horn。  They  were  walking  so  fast;  they’d  already  traveled  half  of  the 
muddy road that led down the snow…covered valley to Eyüp。 In the silent fog; 
off  to  the  left;  the  chimney  of  the  Han?m  Sultan  Charity  candleworks  shop 
happily  piped  up  its  smoke。  Under  the  shadow  of  the  walls;  there  were 
tanneries and the bustling slaughterhouses that served the Greek butchers of 
Eyüp。 The smell of offal ing from these places had wafted over the valley; 
which extended to the vaguely discernible domes of the Eyüp Mosque and its 
cypress…lined  cemetery。  After  walking  for  a  while  longer;  I  heard  from  below 
the shouts of children at play ing from the new Jewish quarter in Balat。 
When we reached the plain where Eyüp was located; Butterfly approached 
me; and in his usual fiery manner; abruptly broached his subject: 
“Olive and Stork are the ones behind this vulgarity;” he said。 “Like everyone 
else;  they  knew  I  had  a  bad  relationship  with  the  deceased。  They  knew 
everyone  was  aware  of  thi
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